The Pleasure in Painting

Month

February 2012

10 posts

MPAA KNOWS HOW TO NITPICK LIKE A BOSS

The Weinstien Company has a new film coming out called Bully. This film tackles the important issue of the disturbing epidemic of bullying in America. 

The film relieved an R rating because of “some language.” 

…….

This is a movie that elementary and high school aged young adults need to see. When you restrict it to 18+ adults, how in the world is it going to get its message across to it’s intended audience. I see films with needless scenes of violence ranging from physical abuse, explosives, trashing rooms, all of which receive PG-13 ratings or less. Yet add in some language (that would set the scene, and provide some resonance with the audience) gets an R rating? Butt crack in a movie, a vagina, a penis…basically male and female body parts, contained by bras, boxer briefs, under or clothes.  Language and things we say among friends and the things we do in the bedroom are censored. And it all goes down to a sense of shame and lack of willingness to discuss, and be comfortable with, the things we actually do and experience in our natural life.

People experience abuse every day, people are bullied at school every day, say certain words and expletives on a daily basis. A lot of people are having sex and or are naked at some point each and every day.  These are things we know and have witnessed ourselves. But when it comes to art (which requires an audience) it’s all restricted to adults?

 Do people suddenly wake up and realize what’s under their clothes and what to do with them at 18? Do they start saying “fuck” and whatever else, does everyone have sex only at age 18? Do people only experience abuse at age 18+?

Are people supposed to learn their sexual comfort level by trial and error? Areteenagers - women in particular - supposed to lay down and think of England (or whatever country they live in) when they have sex for the first time? 

KNOWLEDGE IS POWER. Talking about these issues and experiences in life, opens discussion and allows for education. I came from a household where sex was never talked about. I happen to be a very curious person, and I felt the need to research to the end of the earth, to educate myself.  But what about people who just want to wing it? There is a lot that can be learned by asking questions, but when asking is not even encouraged, when it’s restricted to 18 + you’re leaving a lot to chance. 

It’s exactly the same thing with this movie. This film can educate people and open up discussion. Yet the MPAA wants to just leave it to chance, and let people figure it out themseles. People committ suicide because of bullying, people do a lot of harm to themselves over bullying. This is an important issue which needs to reach as many ears as possible. 

And I believe that’s why Harvey Weinstien is taking the decision of the MPAA to R rate this movie so seriously: 

Following the decision, Weinstein released a statement saying that TWC is considering a leave of absence from the MPAA for the foreseeable future. “We respect the MPAA and their process but feel this time it has just been a bridge too far,” said Weinstein. “I have been through many of these appeals, but this one vote loss is a huge blow to me personally. Alex Libby gave an impassioned plea and eloquently defended the need for kids to be able to see this movie on their own, not with their parents, because that is the only way to truly make a change.”

If you’re 18+ (basically out of any type of elementary or high school education system), then go ahead and watch this film. And do your best to pass on information that should have been given directly to the intended audience. 


SOURCE

Feb 24, 2012
#FILM #MPAA #THREAT #WEINSTIEN #bullying
Feb 21, 20122,530 notes
#food
Somebody Told Me The Killers

Somebody Told Me | The Killers

The killers are love. 

Feb 21, 2012704 notes
I'm going to give it to her in the worst way///

Rihanna and Chris Brown performed a duet together. 

Check out some of the lyrics of this track: 

Girl I wanna fuck you right now. Been a long time, I been missing your body. Let me- in let me turn the lights down, when I go down, it’s a private party. It’s not even her birthday, but I wanna lick the icing off.  Give it to her in the worst way, can’t wait to burn her candles out.” 

“Remember how you did it, remember how you did it, if you still want to kiss it, come come and get it”  

Am I the only one disturbed by this? 

I know abusers can sometimes be rehabilitated - so this post isn’t about that. This is about those lyrics, which are undoubtedly sending a multitude of messages to people. 

Commented about this on my twitter  

I recieved a lot of replies which sang the tune of “live your [expletive] life,” or “it’s just a song!” 

 I find it incredibly sad that nobody seems to care about the greater implications of this song. The lyrics make light of a episode of abuse we know took place. And the fact that people can’t get this, is incredibly disturbing and speaks volumes about how sparingly people glance and consider the topic of abuse and it’s aftershocks. I am amazed that people are implying that I shouldn’t care, and that it shouldn’t bother me. 

Songs are fun, movies are fun, film, theatre, dance and art are amazing. These are things I consider my passion. And when I write my short stories, my poetry, my songs, and when I dance I think about the message I’m trying to send people. I think about the things I’ve experienced in my life, and I think about others life experiences too. We are all a part of the human experience. If you can’t see anything outside of yourself, what the hell are you doing here anyway? 

Listen for yourself 

Peace. 

Feb 20, 2012
#twitter #rihanna #chris brown #song #backlash
Feb 16, 20123,202 notes
Play
Feb 13, 20123 notes
#music #legends #adele #grohl #sir mcartney #love
I’M NOT OKAY WITH CHRIS BROWN PERFORMING AT THE GRAMMYS AND I’M NOT SURE WHY YOU ARE → hellogiggles.com

I’m sick and tired of people acting like it’s no big deal that Chris Brown will be performing at the Grammys.

I’m frustrated that the mainstream media is covering this story like it’s any comeback story, like an exiled prince’s return to a former glory, like this is another political timeline — as though some rich and powerful old white men in the music business have not just issued an enormous ‘f**k you’ to every woman who has been, is or will be on the receiving end of domestic violence.

We should be furious.

Why aren’t we?

A Long, Long Time Ago, or Three Years Ago, But Who’s Counting?

For those of you who are currently listening to ‘Look at Me Now’ and wondering what the big deal is, a quick recap: The night before the Grammys in 2009, Chris Brown got angry at his girlfriend, Rihanna, and he took it out on her face. She went to the hospital and then to the LAPD, where this photo was taken and promptly leaked to TMZ. (The LAPD issued a stern statement on the leak, threatening penalties “up to and including termination”. TMZ reportedly paid $62,500 for the photo.)

Both Rihanna and Brown had been scheduled to perform at the Grammys the following evening. Neither did.

Instead, Chris Brown turned himself into the LAPD at 7 pm, was booked on suspicion of criminal threats and was released on $50,000 bail.

Then the Internet exploded.

I was a full-time entertainment writer at the time, so I had a front-row seat to the action. This is what I expected: I expected a string of celebrities to comment on how horrific this situation was, how sad and angry they were for Rihanna, how domestic violence is unacceptable in any context, how as a nation we need to condemn this and condemn it loudly.

Instead, Hollywood went silent and, when they did speak, they teetered on the brink of defending Chris Brown.

Carrie Underwood: “I don’t think anybody actually knows what happened. I have no advice.”

Lindsay Lohan: “I have no comment on that. That’s not my relationship. I think they’re both great people.”

Nia Long: “I know both of them well. They’re young, and all we can do is pray for them at this point.”

Mary J. Blige: “They’re both young and beautiful people, and that’s it.”

Jay-Z, one of Rihanna’s mentors, spoke up: “You have to have compassion for others. Just imagine it being your sister or mom and then think about how we should talk about that. I just think we should all support her.”

In a sane world, Jay-Z’s statement would sound insane. Why would he have to remind his fans to support Rihanna after what happened is that she got hit in the face?

Jay-Z issued that statement because the Internet was, in early February 2009, engaged in a very serious conversation about whether or not all of this was Rihanna’s fault. In fact, large segments of the Internet had devoted themselves to making Rihanna the scapegoat for any woman who ever had the gall to do something worth getting hit, and then the cloying self-esteem to go to the cops about it. Bloggers and their commentators flocked to Chris Brown’s defense in droves. It was a full-blown tearing-down of female self-worth, an assault on any progress women have made in this country in the past 200 years, and the mainstream media ignored it.

It horrified me. It still does.

Later in February, a photo of Brown riding a jet ski in Miami hit the Internet, and singer Usher was caught on video commenting on it: “I’m a little disappointed in this photo,” Usher says in the video. “After the other photo [of Rihanna’s bruised face]? C’mon, Chris. Have a little bit of remorse, man. The man’s on jet skis? Like, just relaxing in Miami?”

The backlash was so severe that Usher was later forced to publicly apologize.

“I apologize on behalf of myself and my friends if anyone was offended,” he said. “The intentions were not to pass judgment and we meant no harm. I respect and wish the best for all parties involved.”

The message we sent to young women was unmistakable: You are powerless. You are worthless. You will be a victim, and that will be okay with us.

The Fall-out, and the Lack Thereof

In August 2009, Brown was sentenced to five years probation and 180 hours of community service after pleading guilty to felony assault.

In December 2009, he released his third studio album. It sold over 100,000 copies in its first week and debuted at #7 on the Billboard charts.

On June 8, 2010, Brown was forced to cancel his tour dates in the UK when the British Home Office refused to grant him a work visa on the grounds of “being guilty of a serious criminal offence”. Less than three weeks later, he performed ‘Man in the Mirror’ at the BET Awards’ tribute to Michael Jackson.

His fourth studio album, released in March of last year, debuted at #1.

In December 2011, Billboard crowned him their artist of the year.

And, this week, Grammy producers confirmed that Chris Brown will be performing on Sunday’s show.

“We’re glad to have him back,” said executive producer Ken Ehrlich. “I think people deserve a second chance, you know. If you’ll note, he has not been on the Grammys for the past few years and it may have taken us a while to kind of get over the fact that we were the victim of what happened.”

Read that quote again. Think hard about what is being said. Here is what this quote says to any woman who’s ever been abused:

  • By blacklisting Chris Brown from the Grammys for a “few” years (actually, a grand total of TWO Grammy Awards), the Grammys have gone above and beyond expectations for the social exile of an adult man who hit his girlfriend so hard she went to the hospital, and honestly it was really, really hard for them to show even that much support for victims of domestic violence worldwide.
  • It was rather thoughtless of Rihanna to go and get herself hit in the face by her boyfriend, because it’s put such a burden on the Grammys. Maybe if she hadn’t made such a big fuss out of it, things could have been easier for everyone.
  • The Grammys think that they were the victim of Chris Brown hitting Rihanna in the face.
  • The Grammys. Think. That they. Were the victim. Of Chris Brown. Hitting. Rihanna. In the face.

Hitting People Is Wrong, Y’All

I agree that people deserve a second chance. It’s great that we live in a country with a justice system that allows offenders to reclaim themselves and their lives after their sentence. I’m happy about that, and I hope Brown is a changed man at the end of his sentence. (The US justice system has Chris Brown on probation through 2014. It was nice of the Grammys to let him off a couple years early for high record sales good behavior.)

And my suspicion is that Rihanna has no interest in being a poster child for victims of domestic violence. She probably wishes this would all disappear, and I don’t blame her for a minute. She didn’t ask for this – for any of it – and she’s under no obligation to speak out about it.

But someone has to. Because what is happening here is unmistakable. It is, in my eyes, so unmistakable that I wonder if I’m wrong, if I’m missing something huge, because I cannot believe more voices aren’t railing against this.

We – the grown-up influencers in this country, the people with platforms and with educations and with power — are allowing a clear message to be sent to women: We will easily forgive a person who victimizes you. We are able to look beyond the fact that you were treated as less than human, that a bigger, stronger person decided to resolve a conflict with you through violence. We know it happened, but it’s just not that big of a deal to us.

We were so mad when the Komen Foundation pulled its funding for breast cancer screenings at Planned Parenthood. “This is not fair,” we shouted. “This is not fair to women, and this is not fair to the women who don’t have a voice, and we will not allow it.” We shouted it so loudly that Komen reversed its decision in three days. We forced the resignation of one of their top executives.

Planned Parenthood, no doubt, has a well-funded and fine-tuned PR machine, adept at galvanizing a population against a perceived injustice. They outmaneuvered Komen easily.

Does domestic violence have a less sophisticated PR machine than Chris Brown does?

Because to me, this situation isn’t all that different. Accepting that Chris Brown gets to perform at the Grammys because some people bought his album is no different from accepting that women without health insurance don’t get to be screened for breast cancer because some VP at Komen is anti-abortion. It may happen, but that doesn’t mean we should tacitly accept it. What if Chris Brown had hit your sister that night? Or your daughter? (What if Chris Brown had hit Taylor Swift that night?)

We’re accepting the message that women just aren’t that important, that their health and their safety and their self-respect is only important until it stops being convenient for everyone. We should be angry about this, and we should be angry publicly about this.

So I want to say this to anyone who is listening: This is not okay with me. A man hitting a woman in anger is unacceptable and is not easily forgotten or forgiven. A man who hits a woman in anger deserves to be reported to the authorities and prosecuted to the fullest extent of the law, regardless of who might be inconvenienced in the process. A man who hits a woman in anger may eventually be permitted to go on with his own life, but he is not permitted back in my life, even if it’s been three whole years.

Feb 12, 201212,682 notes
Feb 11, 201213 notes
Kill Your Darlings....

Wasn’t Jack Kerouac such a hottie?!

A new movie has been given life, and I am very excited to welcome it into my life. 

It’s called Kill Your Darlings, and it starts principal photography on March 19th of this year. 

It has an amazing cast: 

Daniel Radcliffe (my personal favourite actor, my first celebrity crush - grew up on Harry Potter, you know how it is). He plays a young Allen Ginsberg, who along with Jack Kerouac (played by Jack Hutson), and WILLIAM Burroughs (Ben Foster). 

Michael C. Hall, Elizabeth Olsen, Jennifer Jason Leigh, and Kyra Sedgwick have also joined this film. 

The film tells the story of how all these great figures in literature come together on the heels of a murder, at Columbia University in 1944, and it provides the spark that leads to the beat revolution. 

For those of you who aren’t aware, the beat revolution is a term referring to a group of American writers - known as the “beat generation” - who after World War 2,  rose to popularity in the 1950s, and documented and inspired a lot of changes in way of life and having it influence art - at the same time, that art influenced their lives even more.  The Beat Generation were into drugs, experimenting with sexuality, and this interest in eastern religions. And a lot of these themes can be seen in these authors works.  Naked Lunch by William Burroughs, Howl by Allen Ginsberg, Jack Kerouac’s On the Road, all explore these themes. Beat literature,  has a certain musicality to it. There is a sense off being on the beat, and having a beautiful rhythm as your read it. 

I want to know whose hand I have to shake for imagining such an amazing film, which would bring together so many literary giants. This movie is going to be (hopefully) visually, and artistically amazing. Can you imagine the word play that’s going to be going on? The back stories of these amazing figures of modern literary history? 

I am also unashamedly looking forward to all the fashion, the atmosphere. It should be a lot of fun to watch. 

SOURCE  SOURCE 

Feb 11, 2012
#movie #actors #excited #literary #giants
These times, are they a changin`or staying the same ?

As you might have noticed, I have been suspiciously absent from this tumblr of mine. I have been tweeting here and there  , but here has been quieter than a ghost town. I apologize, and I am BACK. I did end up cooking that entire Christmas dinner, and it was delicious. I had some family related situations to take care of, but now I am back and tackling something bigger than food.

That`s right, there is more to life than those feasts we enjoy on Easter, Thanksgiving, and Christmas. 

I want to turn things to a consumer and magazine direction.  And it may be a more sinister direction, the kind of conversation that makes some people avert their eyes, and tug at their collars uncomfortably.  I`m about to sit you down, to talk about the lack of colour on magazine covers. 

If you`re a serial movie goer - like myself - than you know we are approaching the pinnacle of the North American film awards seasons: The Academy Awards (or Oscars).  This year, that special night is Sunday, February 26th.

Every year around Oscar season Vanity Fair releases a Hollywood issue, celebrating `Hollywood.` Let`s take a look at that cover shall we?

March 2012 Vanity Fair Cover: 

For the last two years (or how long I personally have been counting) that Vanity Fair  has released their Hollywood issue, they have failed to include any visible minority actor or actress on their cover. 

This year Vanity Fair included TWO women of colour. Can`t see them? Look closer. 

…..

Drawing a blank?

Oh sorry, I should say they actually aren`t exactly on the cover, they are in the fold up flap, waiting in the wings: 

An afterthought. 

Where is Viola Davis? She is nowhere to be found. And yet their has certainly been a lot of buzz around her over the course of this award period. She`s nominated for an academy award, a BAFTA, she was nominated for a Golden Globe, and has received numerous other accolades as well.  Where is Octavia Spencer? She too is nominated for an academy award, and a  BAFTA. Octavia won the Golden Globe award for her role in THE HELP, and she`s been nominated for numerous other film awards this season. 

Now I want you to look at another cover, from last year:

March 2011 Vanity Fair Cover: 

From left to right: Ryan Reynolds, Jake Gyllenhaal, Anne Hathaway, James Franco, Jennifer Lawrence, Anthony Mackie, Olivia Wilde, Jesse Eisenberg, Mila Kunis, Robert Duvall, Joseph Gordon-Levitt, Andrew Garfield, Rashida Jones, Garrett Hedlund and Noomi Rapace (the original ‘Girl with the Dragon Tattoo’). 

Those pesky people of colour (one person in the 2011 issue), we just gotta stuff him in the flap behind the cover so no one can see him unless you hold it loosely and it slips out like magic! 

And finally, here is exhibit C, Vanity Fair`s 2010 Hollywood Issue: 

From Left to right: Abbie Cornish, Kristen Stewart, Carrie Mulligan, Amanda Seyfried, Rebecca Hall, Mia Wasikowska, Emma Stone, Evan Rachel Wood 

They didn`t even manage to hide any visible minorities in a half flap, not included at all. 

And I`d probably let this one go if not for the fact that 2010 was a big year for one person in particular…..

 Gabourey Sidibe

So why isn`t she on the cover with the rest of those women? It`s an uncomfortable conversation, but it`s one of those questions that has to be asked over and over again, until someone can give us an answer that makes any sense. So that any magazine like Vanity Fair can be weaned off their allergy to visible minorities on their cover. 

I haven`t even scratched the surface here when it comes to the lack of visible minorities in Hollywood. I`m just talking about faces that should have been included these past three years, and were not. I`m not sure there is enough character space on this blog for me to type out how I feel about that. I`ll just let Viola Davis speak on this issue: 

Viola was asked during an Oscar Round Table Interview: 

How Is It Possible That The Help Is Viola Davis’ First Leading Role?

Davis: “There just aren’t a lot of roles for — I mean, I’m a 46-year-old black actress who doesn’t look like Halle Berry — and Halle Berry is having a hard time. You know there’s not a lot of leading roles.”
Theron: “I’m going to have to stop you there for a second.”
Davis: “Why, you think I look like Halle Berry?”
Theron: “No. You have to stop saying that because you are hot as shit. You look amazing.”

Davis is a professional and eventually answers with that obvious answer: “[T]here’s just not a lot of roles for women who look like me.”

And there aren`t a lot of solid jobs for female actresses in general let alone African American women. The seperation between what studio executives thinks their audience is (15-40 year old white males), and what their audience is, could make the grand canyon look like something you could leap across with your eyes closed. 

Do I think it`s ignorance? To an extent yes. I also think that when you have a small group of people who are very limited in their understanding of their audience and the silent message they are sending to the public, you have a problem. 

All images used in this post are the property of VANITY FAIR  and JUSTJARED

- Ada

Feb 6, 2012
#magazines #messages #covers #Hollywood
Next page →
2012 2013
  • January 18
  • February 5
  • March 14
  • April 13
  • May 8
  • June 3
  • July
  • August
  • September
  • October
  • November
  • December
2011 2012 2013
  • January
  • February 10
  • March 7
  • April 86
  • May 75
  • June 38
  • July 39
  • August 65
  • September 39
  • October 14
  • November 29
  • December 15
2011 2012
  • January
  • February
  • March
  • April
  • May
  • June
  • July
  • August
  • September 3
  • October
  • November
  • December 2